56 lines
8.1 KiB
Plaintext
56 lines
8.1 KiB
Plaintext
in the wake of the smashing success of " rumble in the bronx , " it's looking more and more likely that more jackie chan films will see american release .
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rumor has it that one of these films will be drunken master ii .
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the version i have is a copy from the laserdisc ; it's widescreen and bilingually-subtitled , as are most hong kong films these days .
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availability over here in the united states is very limited ; these films must either be purchased via pirates or sought out from asian distributors such as tai seng .
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the subtitling on the copy i have is slightly hard to read ; the letters are white and a bit small .
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although the american release will almost certainly be dubbed , this review is of the subtitled version , so please keep that in mind if you're reading this review to help you decide whether to go out and see it .
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to be fair , i must admit that i've never been very fond of " period-piece " martial arts movies--the ones set in some nebulous china of the distant or not so distant past .
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perhaps it's because most of those i've seen were filmed on inferior stock , with either butchered dubbing or all-but-illegible subtitling , or perhaps it's because their plots all tend to be very similar to each other and , in many cases , all but nonexistant .
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in fact , many of them get so wrapped up in their subplots that they seem to forget their main plot entirely until only a few minutes before the end .
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or , for that matter , it might be because the jackie chan films with more modern settings ( armour of god , rumble in the bronx , etc . ) tend to have more spectacular stunts , often involving large motor vehicles and large explosions , whereas period pieces simply have the martial arts .
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having said that , i must now turn right around and say that drunken master ii is a remarkable exception to all or most of the above , is one of the better martial arts films i've seen , and i quite enjoyed it .
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surprised ?
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well , so was i .
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drunken master ii is about a young man named wong fei-hong ( played by jackie chan ) who is a master of the drunken boxing style of kung fu .
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where he learned this style is uncertain , as his father , wong kei-ying ( ti lung ) is steadfast in his opposition to fei-hong's practicing it rather than some more normal style of kung fu .
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apparently , fei-hong is some sort of figure from chinese folklore , rather like paul bunyan is for americans , but i've heard very little about this , and could quite well be wrong , so i'll leave analysis of that to the people who know it better .
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one of my friends points out that the character of wong fei-hong is also featured in the " once upon a time in china " movies , but i have not yet seen those .
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the plot of drunken master ii is somewhat hazy , as are the plots to many such films , but if you're watching a jackie chan film , odds are you aren't expecting something on the order of " war and peace " .
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the story seems to revolve around those evil foreigners who are spiriting away ancient chinese relics ( and hence , china's cultural heritage ) while overworking , underpaying , and beating up chinese workers in a nearby steel mill .
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however , this plot merely serves as a framework for the other main story of the film--fei-hong's perpetual struggle to win his girlfriend , supplicate his father , keep his ( pregnant ) mother ( played by anita mui ) from fighting , and keep from getting beaten up by evil foreigner thugs .
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the macguffin that drives the plot ( s ) is a precious antique jade imperial seal which is being taken away by the evil foreigners .
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in the beginning , fei-hong accidentally steals it while trying to recover an identically-wrapped box containing the medicinal ginseng his father was bringing back for a customer .
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in the process , he clashes with another thief , who is himself trying for the seal but ends up instead with the ginseng .
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after fei-hong narrowly avoids getting caught with the seal by the evil foreigners' lackies , thanks to some timely intervention by a general's son ( a cameo appearance by andy lau , who would later take on the starring role in drunken master iii ! ) , comedic chaos ensues back at the wong household when fei-hong and his mother attempt to come up with a replacement for the missing ginseng .
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and so it goes .
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and the plot thickens later on , such as when fei-hong's girlfriend maneuvers him into a kung fu match with a rival , or when fei-hong and the thief , now revealed to be a loyalist manchu officer trying to recover the seal and stop the evil foreigners , are attacked en masse ( another grand kung-fu movie tradition ) , but i think i've already spent more time on the plot than it really deserves .
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let's move on to the real draw of jackie chan movies . . . the
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action .
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there's plenty of martial arts action to be found in this movie . . . of
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course , in a kung fu film , that's to be expected .
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however , this isn't just another kung fu movie ; this one has jackie chan doing the fight and stunt choreography , and jackie chan is a genius .
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the primary martial arts " style " featured in the film is drunken boxing , a form of kung fu which attempts to draw the adversary off his guard by making it seem like the fellow using it is drunk .
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further , for the purposes of this film at least , drunken boxers fight better when they actually _are_ intoxicated . . . but
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there's a fine line between just drunk enough and drunk into a stupor .
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under normal circumstances , the idea of someone staggering around looking sloshed but managing to fight effectively and even incredibly might seem rather stupid , but jackie pulls it off with flair .
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the kung fu sequences are so intricate in their staging and execution that it is pointless to try to describe it on paper , so i'll just say that the fights--especially the big climactic fight at the end--in themselves make the movie worth watching .
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another thing drunken master ii has going for it is the stunt work .
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even without motor vehicles ( well , not counting a train ) , there are some remarkable stunts in this film .
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among other things , jackie dives off a balcony into a table and crawls across hot coals ( not once , but at _least_ twice , if you count the outtake shown during the credits ) .
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( quicktime movies of these stunts can be found through the www movie database . )
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unlike in american films , these stunts are _not_ faked .
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drunken master ii stars several veteran actors of the hong kong movie scene , including jackie , ti lung ( " a better tomorrow " 1 & 2 ) , and anita mui ( the " heroic trio " series , " rumble in the bronx " ) .
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the performances are first-rate , especially when it comes to the comedy parts of the film .
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the scene where fei-hong and his mother conspire literally behind fei-hong's father's back to cover up for the missing ginseng root is hilarious , as is the scene where fei-hong's mother , having just revealed that she is pregnant , is threatening to hurt herself ( in order to draw her husband's anger away from fei-hong ) .
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jackie has developed his knack for physical comedy into a sort of mastery over the years , and he's in fine form all through drunken master ii .
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as far as cinematography is concerned , it certainly works for this film .
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it's nothing spectacular , but is at least a dozen times better than all those old kung fu movies of the 70s .
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the picture is crisp and clear .
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one thing i find particularly worthy of mention is that , at least in the copy i have , the screen was wider than any film i've ever seen on videotape before--almost a whole 1/3 of the screen was blocked out above and below .
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( watch this on a bigscreen tv or movie theater if you can . )
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it will be an utter shame if this film is eventually pan-and-scanned for american video release .
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drunken master ii shows the full potential of " period piece " kung fu movies , and it's good enough to overcome even my usual distaste for such movies .
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the plot does meander a bit , but that's to be expected in this type of film .
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if you like this kind of movie , you'll love this movie , and if not , well , give it a chance anyway .
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if nothing else , the martial arts and stunt sequences are by themselves worth the price of admission or rental .
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