106 lines
10 KiB
Plaintext
106 lines
10 KiB
Plaintext
warning : spoilers are included in this review . . .
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but it doesn't really make much of a difference .
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deep impact begins the official summer movie season , and it also brings back memories of 1997 .
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remember when dante's peak came out in february ?
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a few months later , volcano was released .
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the first film was smart , exhilirating , and one of the best disaster films i had ever seen .
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the latter film was an incohesive mess that defied logic and wasted talent .
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well , it's deja vu all over again as two disaster films go head to head in competition .
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this time , unfortunately , the first comet flick is so bad that people may shy away from armageddon , the upcoming comet-disaster to be released the beginning of july .
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of course , the general reaction of the audience was oppposed to mine , and so i am in the minority , as i was when i stood on the side of dante's peak .
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but while watching deep impact , i began to wonder how anyone in their right mind could actually like this film .
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apparently many did , and it utterly baffles me .
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to be completely honest , i haven't had this little fun watching a disaster film in my entire life .
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volcano had implausibilities up the wazoo , but it was still rather fun to watch .
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deep impact doesn't just have implausibilities , it also contains cheap human drama , incredibly horrible special effects , and a poorly constructed plot .
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the only thing that gives it a half star above my bottom ranking is a slightly entertaining final fifteen minutes and some good actors making the most of their characters .
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deep impact begins in an unnamed year ( the year varies ; advanced technology sets it in the future , but fire in the sky is showing on a local movie theater , pushing it back to 1993 ) .
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a line of students is outside at night , peering through telescopes at the dark sky above .
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among these are leo biederman ( elijah wood ) and sarah hotchner ( leelee sobieski ) .
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leo unknowingly discovers a comet , and his teacher sends a photo of the unknown object to an astronomer , who then is able to determine the correct path of this distant comet in about a few seconds .
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he races off to mail the information , but is killed in a reckless car accident .
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a year passes , and nothing is heard about it again .
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we are then introduced to jenny lerner ( t ? a leoni ) , a reporter for msnbc .
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she gets handed a job to investigate a possible cover-up in the government involving senator alan rittenhouse ( james cromwell ) .
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she talks to a woman who mentions that rittenhouse was having an affair with a girl named ellie .
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after talking with rittenhouse , and unsatisfied with the information she gets , she decides to use the internet for help .
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luckily , she knows exactly how to spell the certain " ellie " that she is looking for ( they spell it ele in the film . . .
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that girl is pretty darn smart for guessing how it was spelled ) .
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before she can use the information , the government decides to push her car off the road .
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they take her in to meet the president of the united states , president beck ( morgan freeman ) .
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beck recommends that jenny keep the information secret for 48 hours so they can confirm it and then hold a press conference .
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naturally , she wants to be compensated , and they offer her a front row seat and the chance for the first question .
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and so , yada yada yada , they reveal the comet to the public and their plans : send a massive spacecraft out to destroy it before it can arrive .
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they announce a plan called " ark , " which is their only hope for survival .
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a computer will select 800 , 000 people at random .
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these people are the ones who will go into a large cave underground so that the impact of the comet won't kill off the entire human race .
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after two years , the dust will settle ( actually , it would take much , much longer--approximately ninety years , from what i understand ) and the humans could come back to the surface and start over .
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the rest of the plot is your standard disaster film procedures , but there is one subplot worth mentioning .
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jenny and her father , jason ( maximilian schell ) , have a very touching relationship that forms out of the impending doom .
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the final moment involving the two characters is heartfelt and emotional .
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it's a shame that nothing else is heartfelt .
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now , of course , we all know that the comet does impact the surface .
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the title alone suggests it , and the previews actually show it !
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by doing this , absoltuely no tension can be drawn from any attempt to stop the comet because we all know that it won't work .
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director mimi leder came from her successful tries at direction with episodes of the hit television show " er . "
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her major film debut was the peacemaker , a pathetic and heartless action film .
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well , this time leder outdid herself , creating a film worse than that one .
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suggestion to ms . leder : please , stay away from the big screen , or at least the action genre .
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much of the blame can be placed on leder directly , because the pace is disastrously off .
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throughout the film we are given subtitles that tell us how much time has passed ( it goes from months to weeks to hours ) .
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it literally feels like this lapsed time is taking place in real-time--it's that boring .
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of course , leder isn't all to blame for it .
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screenwriters michael tolkin and bruce joel rubin have crafted a simplistic story that only gets worse with time .
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what starts out promising soon turns deadly ( for the audience anyway ) .
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chock full of cheesy one liners ( " you know , you are going to have more sex than anyone else in school ! " )
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and stupid characters , you might think we were back in the 70s again .
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only one of the subplots is remotely interesting , while the rest are forgettable and boring .
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and the main plot is so outrageous that you can't figure out if this film is supposed to be an action , drama , or sci-fi .
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to put it simply : the special effects of this film are a hit and miss situation .
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that's right , 80% miss , and 20% hit .
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scenes above the earth are well done , and the orbiting ship is majestic .
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but the comet is a huge mistake , making it more laughable than frightening .
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the concept of even trying to land on a comet is preposterous enough , but that's forgiveable .
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what isn't forgiveable is actually having humans walk on the surface .
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give me a break , will ya ?
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and of course , the much hyped collision of comet and earth .
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well , it is far from spectacular , and it makes independence day look brilliant .
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the water rushing towards the land is effective , but once it hits the continent , the effects turn ridiculous .
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cgi water is used , and it looks so bad that i heard more laughs from the audience than shrieks .
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in fact , i may even recommend the film for those who want to see how bad effects can actually get these days .
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just when we think visual effects can't be improved , along comes a film to show that they really can and should be .
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one thing has struck a wrong note with me concerning mimi leder's direction , which also influences the actors .
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leder loves to show the actors' faces before and during moments of terror .
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this reminded me of another action director , renny harlin ( die hard 2 , cliffhanger ) .
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but harlin succeeds because he shows the faces of the victims in realistic situations .
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leder likes to flaunt people's fears via their faces , but instead of coming off as sympathetic , leder seems more of a sadist .
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one moment has an astronaut flying off into space .
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this should be enough to warrant a response from the audience , but leder wants to go farther and shows us the person's face while drifting into space .
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this is one of the cheapest ways to ellicit an emotional response from an audience , and i , for one , am not going to be fooled .
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on another note , leder's film only picks up its pace during the last fifteen minutes when the comet actually impacts .
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the pace does pick up , and some very emotional moments are shown .
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then again , when you watch people cry for their loved ones , it's obvious it will be emotional .
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it's mostly just a big trick to rope viewers into " feeling " for the characters , but it didn't work for me .
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but anyway , the actors do as much as they can with what they are given .
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t ? a leoni ( bad boys , tv's " the naked truth " ) is the best of the film , and she is given the meatiest role .
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her character is made stronger by leoni's presence , and we grow to care for her .
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robert duvall is energetic and fun to watch , but his character is turned into shreds by the plot .
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elijah wood also comes off rather successfully , but he still hasn't had many good roles ( wood , stick to drama !
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you are too talented for this stuff ) .
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vanessa redgrave is barely acknowledgeable , and her performance is only enhanced by her strong presence on screen .
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maximilian schell is distracting , but he does provide some nice humor .
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morgan freeman has been infinitely better than this , and gives one of his most shallow performances to date ( which is quite remarkable for him ) .
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leelee sobieski could have been better , but i think she just suffered from a poorly written character .
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a special note should go to ron eldard and denise crosby .
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eldard is good in his role , but is limited by the plot .
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crosby is special to me personally because she was tasha yar from tv's " star trek : the next generation . "
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seeing her was one of the highlights of the film .
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overall , a very talented cast virtually wasted .
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deep impact is rated pg-13 for disaster related elements and brief language .
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this is one of the worst films of the year , and if it is any omen of things to come , this summer could be one of the worst ever .
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luckily , the x-files movie is coming up , and hopefully armageddon will be more successful .
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it's a shame that this film will do so successfully because it just isn't worth much .
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costing nearly $75 million , with special effects done by the illustrious ilm ( which is a huge shocker ) , and with a score composed by oscar-winner james horner ( titanic ) , one might have expected this to be more fun to witness and experience .
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well , it's not .
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when the comet does hit the earth , you almost wish it could just take this film along with it .
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